• O Christmas Tree/The Holly and the Ivy (Holiday Medley)

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    These two carols in 3/4 meter blend beautifully in this Christmas medley celebrating our lovely Christmas greenery. The opening block chord accompaniment with straight rhythms quickly gives way to a contemporary broken chord feel with open harmonies, which transitions seamlessly back and forth between the two melodies. The arrangement has a peaceful, calm feel with just enough surprising harmonic choices (including sevenths and ninths) to help it feel fresh, yet right at home. It is a good choice for a lovely and serene holiday performance piece.

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  • God Rest Ye Merry Gentlemen (Intermediate Piano Solo)

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    This intermediate arrangement is for pianists who love a big, fast sound! It begins with a dramatic feel, a bold RH bass melody in F minor supported by deep open octaves in LH. Open octaves and fifths continue throughout, with sporadic chord harmonies and contemporary progressions to balance the fast-moving melody. The climax builds in intensity to a rising key change before settling mysteriously into a deep, somber finish. This arrangement makes a flashy Holiday performance showpiece.

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  • Hark the Herald Angels Sing (Advanced Piano Solo)

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    “Joyful, all ye nations rise! Join the triumph of the skies!” This arrangement of Hark, the Herald Angels Sing is jubilant and bold, filled with brilliant chord harmonies and a broad, open accompaniment sound. Occasional scale passages and a key change add variety while careful pedal use adds substance and fullness. This arrangement is perfect for a Christmas religious service or holiday recital.

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  • Here We Come A-Wassailing (Late Intermediate Piano Solo)

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    Here We Come A-Wassailing (sometimes called Here We Come A-Caroling) is arranged here as a delightful late intermediate to early advanced piano solo. The arpeggiated LH accompaniment feels like riding a sleigh over snowbanks. This arrangement features 6/8 meter throughout with steady moving LH, and the chorus is written in tuplets. The use of polyrhythms provides an added challenge while retaining the traditional feel of the carol.

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  • We Wish You a Merry Christmas (Intermediate Piano Solo)

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    This intermediate piano solo is cheery and welcoming. It begins with a warm and simple introduction that develops into progressively more involved accompaniment and harmonies to a fortissimo finish! With a key change, octave changes, and an ever-building natural momentum, this arrangement is fun and rewarding without being overly challenging for mid-intermediate students. It’s a great Christmas concert showpiece!

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  • Away in a Manger (Kirkpatrick) (Intermediate Piano Solo)

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    Kirkpatrick’s Cradle song melody for the Away in a Manger is a soothing lullaby. It has been arranged here for intermediate piano, with gently rocking broken chords and inverted chord harmonies. Surprising modulations and unique chord choices add variety to this humble carol. This arrangement is a beautiful sacred piano solo for church service or Christmas performance.

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  • What Child Is This? (Advanced Piano Solo)

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    The beautiful English folk melody “Greensleeves” was immortalized as a Christmas carol by William Chatterton Dix. This arrangement for late intermediate to early advanced piano features a somber sound supported by more minor chords than are commonly used with this melody. The arrangement begins simply and grows in complexity; at its climax, rolled chords and rich harmonies are supported by moving LH arpeggios that eventually transition back to the simpler style of the beginning. It is perfect for a holiday church service or Christmas performance.

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    Save $40 and get this and 11 other Christmas piano solos in “A Classic Piano Christmas, Vol. 1”.

  • Nightfall Medley (Gurlitt and Mozart)

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    These musical themes from Gurlitt’s etude (“The Storm” or “Night Escape”) and Mozart’s Great G Minor Symphony are famously recognized for their intense, dramatic energy. This medley combines them into an early intermediate piano classical performance piece. Starting with Gurlitt’s etude, it weaves in the motif from Mozart’s symphony, transitions fully into the symphony theme, then concludes with a robust merger of the two for a bold finish. It is an excellent choice for a classical piano recital piece for intermediate level.

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  • The Ballad of Casey Jones (Intermediate Piano Solo)

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    American folk hero Casey Jones and his runaway train were immortalized in this famously fun folk tune by Eddie Newton. This intermediate piano solo was arranged for a student who wanted to learn a piece with glissando and tremolo — it’s filled with both, plus a handful of other fun finger tricks! This is a high energy piece ideal for an intermediate piano solo performance.

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  • Goodnight, My Someone (The Music Man)

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    When wishing on an evening star, dream sweetly of that special someone! This sweetly waltzing melody from Meredith Willson’s famous musical “The Music Man” is perfect for either parted lovers or lovers who have yet to meet.

    This is an early intermediate piano arrangement and may be performed as a piano solo or as a simple vocal accompaniment. If used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are meant to be played by the pianist (not sung).

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    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • Jupiter (The Planets)

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    From a young age I was moved by this beautiful theme from Gustav Holst’s The Planets Suite. While much of the “Jupiter” movement is fast and lively, the theme arranged here carries a certain grandeur that is perfectly befitting the majesty of this ruling planet. This arrangement is in the original key of E-flat Major and begins with single-note melody supported by simple close range harmony, which gradually expands in breadth and harmony to full fortissimo chords. Beautiful soaring melodic lines accompanied by supportive bass harmonies make this a strong selection for an intermediate piano solo, perfect for a recital piece.

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  • Li’l Liza Jane

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    Li’l Liza Jane is a music standard that has been adapted in a variety of genres, including jazz, bluegrass, folk, and rock. This rendition for late beginner to early intermediate students is fast and lively! It may be played in a quick 4/4 meter or even an energetic cut time feel. Rests on the downbeats in the chorus light a fire under the fingers and make it feel like a dance number.

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  • Go Tell It On the Mountain

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    This popular Christian song is a favorite at Christmas time. It is arranged here for early intermediate pianists with a steady rocking pattern LH bass and RH melody with harmonies. Its full sound and natural swing feel make this arrangement an excellent choice for a Christmas recital or worship meeting.

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  • Can-Can (Offenbach)

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    The famous Can-Can music comes from Offenbach’s opera “Orpheus in the Underworld”, from which the selection “Galop Infernal” was adopted by Paris cabarets for their can-can dances. This intermediate level arrangement contains not only the main theme, but represents the full range of themes from this dramatic opera number. Filled with exciting articulations, bold dynamics, and more, this lively arrangement is the perfect crowd pleaser and performs excellently as a well-known early intermediate piano recital choice.

    BONUS: Because the largest harmonic interval is a Major 6th, pianists with small hands can easy play this without sacrificing musicality or altering chords. (LH octaves at the end are optional.)

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  • Let It Be (The Beatles)

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    “Let It Be” is one of the most well-loved rock ballads by The Beatles and has been covered by numerous artists since its 1970 release. This is an “easy piano” arrangement in F major with chord symbols included. Best for late beginner to early intermediate pianists.

    This arrangement may be performed as a piano solo or as a vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. The singer should adjust octaves as needed.

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • When I Grow Up (Matilda the Musical)

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    This playful piece from Matilda the Musical explores how children see grown ups and all that they imagine they will be able to do when they’re grown up. With a driving beat and a perfect balance between lightheartedness and solemnity, “When I Grow Up” is a fantastic and engaging modern musical theatre piece.

    This is an intermediate piano arrangement with optional vocal solo, set in the original key (F major). It is written in the same style as the original, but simplified to make it playable for an early to mid intermediate pianist. Good for smaller hands. Includes chord symbols.

    This arrangement is a great standalone musical solo piece and includes all lyrics up through the verse originally written for Miss Honey; ends after this section (does not include the final upbeat section where Matilda’s lyrics begin with “Just because you find that life’s not fair…”).

    This arrangement may be performed as a piano solo or as a vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are generally meant to be played by the pianist (not sung).

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • Forrest Gump – Main Title (Feather Theme)

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    From the Paramount Motion Picture “Forrest Gump”, this beautiful and compelling musical theme has been stirring hearts ever since we first saw Forrest’s story. It will help anyone fall in love with Alan Silvestri’s film scores. This is an early intermediate piano arrangement in B-flat major, beautiful for any performance and accessible for smaller hands.

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • In My Own Little Corner (Cinderella)

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    This lovely selection from Rodgers’ and Hammerstein’s musical Cinderella (sung by Julie Andrews, Brandy, and more) describes the imaginary adventures that the mild-mannered, overburdened Cinderella dreams of while sitting in her own little chair in the corner. This is an “easy piano” arrangement in F major and D major (includes key changes). Best for later beginner to early intermediate pianists and great for all ages!

    This arrangement may be performed as a piano solo or as a simple vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow.

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • I Whistle a Happy Tune (The King and I)

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    This delightful number from Rodgers’ and Hammerstein’s musical “The King and I” offers a cheery way to deal with fear: just whistle a happy tune! This is an “easy piano” arrangement in C major, written in large print for later beginner to early intermediate pianists.

    This arrangement may be performed as a piano solo or as a vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are meant to be played by the pianist (not sung).

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • Sing We Now of Christmas (Noel Nouvelet) (Intermediate)

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    This lesser known French carol has a beautiful melody line written in Dorian mode for a minor feel with a raised sixth that creates a feeling of light and hope in dark times. It is arranged for LH melody in bass clef with rolled RH treble chords as a delicate ringing accompaniment. With many valuable teaching elements for late beginner/early intermediate level pianists, this arrangement is also a beautiful Christmas performance piece.

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  • Bell Carol (Carol of the Bells)

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    This beloved holiday carol “Carol of the Bells” is arranged here as a late intermediate to early advanced piano solo. The main 4-note motif is supported by a continually moving accompaniment that begins softly in 4/4 meter and transitions to 3/4 with increasing energy. You can hear the ringing bell tones throughout with changing octaves, crossovers, increasingly broader harmonies, chord modulations, and urgent rhythms that ultimately swell to a climax before returning to 4/4 meter once again for a softer, calming finish. Without question, the Ukrainian Bell Carol is a sure favorite for holiday performances and recitals.

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  • Silver Moon Boat (Chinese Folk Song)

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    This lovely Chinese melody based on the pentatonic scale is arranged here as an easy piano solo for the late beginner/early intermediate pianist. The damper pedal is held throughout so that the tones continue to resonate for a full, ringing sound. The arrangement encourages familiarity with piano geography as the hands travel back and forth. A great choice for a recital piece.

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  • Ding, Dong, Merrily On High

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    This joyful Christmas carol is arranged here as a late intermediate to early advanced piano solo. It begins with a recurring theme of treble chords tinkling like ringing bells while the melismatic “Gloria” passage sings beneath. The traditional energetic verse and refrain are repeated several times and carried through melodic variations, unique chord progressions, and modulations before coming to a jubilant conclusion. This arrangement is perfect as a showy, yet time-sensitive Christmas performance piece. (Performance length: less than 3 minutes.)

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  • Fur Elise Easy Piano Sheet Music

    Für Elise (Simplified)

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    Most new pianists want to play this Beethoven piece but aren’t prepared for the difficulty of the original composition. This early intermediate level arrangement is of the entire piece – not just the main theme! – which makes it an excellent choice for a recital performance. Carefully written to match the integrity of Beethoven’s work, this arrangement allows pianists to perform Beethoven now while developing essential skills for the future mastery of Beethoven’s masterpieces.

    BONUS: Because the largest harmonic interval is a Major 6th, pianists with small hands can easily play this without sacrificing musicality or altering chords.

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