This arrangement of “I Saw a Mighty Angel Fly” is for Women’s Ensemble (SSAA) and Piano. The arrangement includes an optional vocal solo, 2-part harmonies (SA), 4-part harmonies (SSAA), and piano throughout (no a cappella sections). Includes two key changes (G Major to C Major to F Major). A small amount of text and music from “An Angel from On High” is blended in as well.
This arrangement of “I Saw a Mighty Angel Fly” is for Women’s Ensemble (SSAA), Flute, and Piano. It was first performed at a women’s conference celebrating the bicentennial of Joseph Smith’s First Vision. The arrangement includes an optional vocal solo, 2-part harmonies (SA), 4-part harmonies (SSAA), and flute, with piano throughout (no a cappella sections). Includes two key changes (G Major to C Major to F Major). A small amount of text and music from “An Angel from On High” is blended in as well.
This Christmas carol favorite has been arranged here for late beginner as an easy piano solo. The LH plays mostly single notes in F Major hand position with occasional finger extension, while the RH plays melody and harmony with some hand movement. It’s a lovely arrangement for a holiday performance and works well for solo piano or as an easy vocal accompaniment.
“Pa-rum pum pum pum”! He may not have had gold, frankincense, or myrrh, but the little drummer boy was able give the gift of music to the baby Jesus. This Christmas song has been recorded by countless artists, including the Trapp family, Harry Simeone Chorale, Pentatonix, Josh Groban, and more.
This is an easy piano arrangement in F major with optional voice. Best for later beginner to early intermediate pianists and great for all ages!
This arrangement may be performed as a piano solo or as a vocal accompaniment (solo or duet). If used for vocal accompaniment, the vocalist(s) should read the Treble staff of the piano part. For Vocal Solo: follow the melody (upper Treble notes). For Vocal Duet: Higher voice sings melody (upper Treble notes), lower voice sings harmony (lower Treble notes) or unison (where no harmonies are included).
Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.
This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.
When wishing on an evening star, dream sweetly of that special someone! This sweetly waltzing melody from Meredith Willson’s famous musical “The Music Man” is perfect for either parted lovers or lovers who have yet to meet.
This is an early intermediate piano arrangement and may be performed as a piano solo or as a simple vocal accompaniment. If used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are meant to be played by the pianist (not sung).
Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.
This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.
This playful piece from Matilda the Musical explores how children see grown ups and all that they imagine they will be able to do when they’re grown up. With a driving beat and a perfect balance between lightheartedness and solemnity, “When I Grow Up” is a fantastic and engaging modern musical theatre piece.
This is an intermediate piano arrangement with optional vocal solo, set in the original key (F major). It is written in the same style as the original, but simplified to make it playable for an early to mid intermediate pianist. Good for smaller hands. Includes chord symbols.
This arrangement is a great standalone musical solo piece and includes all lyrics up through the verse originally written for Miss Honey; ends after this section (does not include the final upbeat section where Matilda’s lyrics begin with “Just because you find that life’s not fair…”).
This arrangement may be performed as a piano solo or as a vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are generally meant to be played by the pianist (not sung).
Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.
This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.
This lovely selection from Rodgers’ and Hammerstein’s musical Cinderella (sung by Julie Andrews, Brandy, and more) describes the imaginary adventures that the mild-mannered, overburdened Cinderella dreams of while sitting in her own little chair in the corner. This is an “easy piano” arrangement in F major and D major (includes key changes). Best for later beginner to early intermediate pianists and great for all ages!
This arrangement may be performed as a piano solo or as a simple vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow.
Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.
This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.
Looking for some fun Thanksgiving piano music for Turkey Day? This beginner piece is about Pilgrim children and what their lives might have been like, with girls baking bread, boys apprenticing in a trade, and both working hard, attending church, playing together, and of course, enjoying Thanksgiving dinner! The music takes turns between the pilgrim girl (RH treble) and the pilgrim boy (LH bass), each telling their story before ultimately coming together to share their excitement over the Thanksgiving feast. The music has a memorable rhythm and is perfect for helping beginners stretch and get out of 5-finger hand positions without being overly challenging.
“Gwine to Run All Night, or De Camptown Races” is a minstrel song by Stephen Foster. This arrangement captures the excitement of old-time horse races and teaches dotted quarter note rhythms, arpeggio fingering (RH), and LH/RH coordination while playing different articulations and rhythms. (Lyrics have been adapted slightly.)
A classic take on a popular short carol, this arrangement starts with single-note melody and adds accompaniment little by little, building to a fuller sound. It all comes together with a final dramatic molto ritardando, fermata, and octave jumps to finish with a flair.
