• Groovin’ with the Grim Reaper

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    After a hard day’s work collecting dying souls, the Grim Reaper goes dancing to liven things up! This fast and fun groove has a repeating bass line featuring G minor blues and fast, swinging treble rhythms and chords. Groovin’ with the Grim Reaper is a lot of fun for early intermediate students (especially during Halloween season) and makes a great choice for a jazz piano recital piece!

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  • Stormy Night

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    It was a dark and stormy night — lightning flashes, thunder crashes, pouring rain, pounding hail. Early intermediate pianists will love how Stormy Night captures this moody, dark scene, perfect for Halloween music. In this original composition, RH takes on the role of the rain and hail while LH controls the thundering melody. Octave changes and harmonic intervals help with keyboard awareness and reading skills, while the quick tempo and dynamics develop musical expression.

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  • Nightfall Medley (Gurlitt and Mozart)

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    These musical themes from Gurlitt’s etude (“The Storm” or “Night Escape”) and Mozart’s Great G Minor Symphony are famously recognized for their intense, dramatic energy. This medley combines them into an early intermediate piano classical performance piece. Starting with Gurlitt’s etude, it weaves in the motif from Mozart’s symphony, transitions fully into the symphony theme, then concludes with a robust merger of the two for a bold finish. It is an excellent choice for a classical piano recital piece for intermediate level.

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  • Grandmother Tells a Ghost Story (Kullak)

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    Kullak’s “Grandmother Tells a Ghost Story” is a great Halloween character piece for intermediate students. In this newly edited edition, it is easy to picture the scene as Grandma tells a chilling ghost story from when she was a little girl, with stops, shocks, spooks, and all, finally ending with a too-quiet “nighty night”… This is a fun choice for a fall piano recital piece.

    All Original Classics are historic works, reformatted and edited for readability and accessibility for today’s pianists.

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  • The Ghost in the Fireplace (Kullak)

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    Kullak’s “The Ghost in the Fireplace” (or “The Ghost Up the Chimney”) is a fun Halloween-time piece. This newly edited edition is ideal for early intermediate students and evolves through several musical themes, including repeating spooky chromatic passages, a waltz-like middle section, and sad lonely harmonic sixths. Great choice for a fall piano recital piece.

    All Original Classics are historic works, reformatted and edited for readability and accessibility for today’s pianists.

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  • Ballade (Burgmüller)

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    Burgmüller’s “Ballade” is a popular piece with interesting contrasting musical themes. This newly revised edition is ideal for early intermediate students and develops musical interpretation skills as well as finger technique (especially for the left hand). Because of its mysterious minor introduction and ending, it’s a great choice for a Halloween or fall piano recital piece.

    All Original Classics are historic works, reformatted and edited for readability and accessibility for today’s pianists.

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  • Witches Dance (Kullak)

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    Kullak’s “Witches Dance” is a Halloween-time favorite. This newly revised edition is ideal for early intermediate students who love to play quick, running passages with animated dynamic contrast. Great for a fall piano recital piece.

    All Original Classics are historic works, reformatted and edited for readability and accessibility for today’s pianists.

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  • The Ballad of Casey Jones (Intermediate Piano Solo)

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    American folk hero Casey Jones and his runaway train were immortalized in this famously fun folk tune by Eddie Newton. This intermediate piano solo was arranged for a student who wanted to learn a piece with glissando and tremolo — it’s filled with both, plus a handful of other fun finger tricks! This is a high energy piece ideal for an intermediate piano solo performance.

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  • Goodnight, My Someone (The Music Man)

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    When wishing on an evening star, dream sweetly of that special someone! This sweetly waltzing melody from Meredith Willson’s famous musical “The Music Man” is perfect for either parted lovers or lovers who have yet to meet.

    This is an early intermediate piano arrangement and may be performed as a piano solo or as a simple vocal accompaniment. If used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are meant to be played by the pianist (not sung).

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • FREEBIE: Bass Clef Manuscript Paper (Bass Staff Paper)

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    Need music staff paper for composing? This FREE manuscript paper includes Bass Clefs at the start of each line for your convenience writing music for bass voice or bass instrument.

    This is a single sheet of Bass Music Staff paper, portrait orientation (vertical). Contains 10 Bass staves.

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  • FREEBIE: Treble Clef Manuscript Paper (Treble Staff Paper)

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    Need music staff paper for composing? This FREE manuscript paper includes Treble Clefs at the start of each line for your convenience writing music for treble voice or treble instrument.

    This is a single sheet of Treble Music Staff paper, portrait orientation (vertical). Contains 10 Treble staves.

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  • FREEBIE: Grand Staff Manuscript Paper (Music Staff Paper)

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    Need music staff paper for composing? This FREE manuscript paper includes the Grand Staff clefs and brackets for your convenience writing music for piano.

    Choose from various staff sizes and page orientations to write your music on, or choose the Teacher Packet and get all sizes and orientations in one file.

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  • FREEBIE: Manuscript Paper (Music Staff Paper)

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    Need music staff paper for composing? This FREE manuscript paper is blank (no clefs included) so you can write music for any clef or instrument.

    Choose from various staff sizes and page orientations to write your music on, or choose the Teacher Packet and get all sizes and orientations in one file.

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  • Jupiter (The Planets)

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    From a young age I was moved by this beautiful theme from Gustav Holst’s The Planets Suite. While much of the “Jupiter” movement is fast and lively, the theme arranged here carries a certain grandeur that is perfectly befitting the majesty of this ruling planet. This arrangement is in the original key of E-flat Major and begins with single-note melody supported by simple close range harmony, which gradually expands in breadth and harmony to full fortissimo chords. Beautiful soaring melodic lines accompanied by supportive bass harmonies make this a strong selection for an intermediate piano solo, perfect for a recital piece.

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  • Li’l Liza Jane

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    Li’l Liza Jane is a music standard that has been adapted in a variety of genres, including jazz, bluegrass, folk, and rock. This rendition for late beginner to early intermediate students is fast and lively! It may be played in a quick 4/4 meter or even an energetic cut time feel. Rests on the downbeats in the chorus light a fire under the fingers and make it feel like a dance number.

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  • Go Tell It On the Mountain

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    This popular Christian song is a favorite at Christmas time. It is arranged here for early intermediate pianists with a steady rocking pattern LH bass and RH melody with harmonies. Its full sound and natural swing feel make this arrangement an excellent choice for a Christmas recital or worship meeting.

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  • Can-Can (Offenbach)

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    The famous Can-Can music comes from Offenbach’s opera “Orpheus in the Underworld”, from which the selection “Galop Infernal” was adopted by Paris cabarets for their can-can dances. This intermediate level arrangement contains not only the main theme, but represents the full range of themes from this dramatic opera number. Filled with exciting articulations, bold dynamics, and more, this lively arrangement is the perfect crowd pleaser and performs excellently as a well-known early intermediate piano recital choice.

    BONUS: Because the largest harmonic interval is a Major 6th, pianists with small hands can easy play this without sacrificing musicality or altering chords. (LH octaves at the end are optional.)

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  • Let It Be (The Beatles)

    $5.49

    “Let It Be” is one of the most well-loved rock ballads by The Beatles and has been covered by numerous artists since its 1970 release. This is an “easy piano” arrangement in F major with chord symbols included. Best for late beginner to early intermediate pianists.

    This arrangement may be performed as a piano solo or as a vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. The singer should adjust octaves as needed.

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • When I Grow Up (Matilda the Musical)

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    This playful piece from Matilda the Musical explores how children see grown ups and all that they imagine they will be able to do when they’re grown up. With a driving beat and a perfect balance between lightheartedness and solemnity, “When I Grow Up” is a fantastic and engaging modern musical theatre piece.

    This is an intermediate piano arrangement with optional vocal solo, set in the original key (F major). It is written in the same style as the original, but simplified to make it playable for an early to mid intermediate pianist. Good for smaller hands. Includes chord symbols.

    This arrangement is a great standalone musical solo piece and includes all lyrics up through the verse originally written for Miss Honey; ends after this section (does not include the final upbeat section where Matilda’s lyrics begin with “Just because you find that life’s not fair…”).

    This arrangement may be performed as a piano solo or as a vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are generally meant to be played by the pianist (not sung).

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • Forrest Gump – Main Title (Feather Theme)

    $4.99

    From the Paramount Motion Picture “Forrest Gump”, this beautiful and compelling musical theme has been stirring hearts ever since we first saw Forrest’s story. It will help anyone fall in love with Alan Silvestri’s film scores. This is an early intermediate piano arrangement in B-flat major, beautiful for any performance and accessible for smaller hands.

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • In My Own Little Corner (Cinderella)

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    This lovely selection from Rodgers’ and Hammerstein’s musical Cinderella (sung by Julie Andrews, Brandy, and more) describes the imaginary adventures that the mild-mannered, overburdened Cinderella dreams of while sitting in her own little chair in the corner. This is an “easy piano” arrangement in F major and D major (includes key changes). Best for later beginner to early intermediate pianists and great for all ages!

    This arrangement may be performed as a piano solo or as a simple vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow.

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • I Whistle a Happy Tune (The King and I)

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    This delightful number from Rodgers’ and Hammerstein’s musical “The King and I” offers a cheery way to deal with fear: just whistle a happy tune! This is an “easy piano” arrangement in C major, written in large print for later beginner to early intermediate pianists.

    This arrangement may be performed as a piano solo or as a vocal accompaniment; if used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are meant to be played by the pianist (not sung).

    Looking for a sound sample? Click the button below to hear it on SheetMusicPlus.

    This arrangement is available for Single User License only and may only be used by the person for whom it is purchased. Reproduction prohibited.

  • Sailing the Seven Seas

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    Weigh anchor, me hearties! Set sail for the open sea! This original composition embodies the spirit of adventure, exploration, and of course, pirates! With a sailing 6/8 time signature reminiscent of old sea shanties and a melody that alternates between treble and bass, let’s hope you have your sea legs as this piece is sure to keep you on your toes. Sailing the Seven Seas is a catchy, lively piece that performs well at recitals and is especially written for early intermediate pianists who enjoy adventures and pirate music for piano.

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  • Quietude

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    Quietude is the essence of calm and peacefulness. This original contemporary piece brings quiet calm amid the stresses of life.
    The steady stepwise RH melody is embellished by LH alternating bass and treble tones, and the challenge of the LH crossovers is balanced by a slower tempo and simple chord structure. Quietude is pattern based for ease in learning for late beginner to early intermediate pianists of all ages.

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