In this traditional arrangement, the heavenly hosts can be heard in joyous salute heralding the first Christmas. Perfect for a first-year student as a solo recital piece or simply to celebrate the season.
This crackerjack Tin Pan Alley song is all about the great American game of baseball. This beginner arrangement will get you into the spirit for the next baseball season so that you’re ready to root, root, root for the home team!
One of the most well-known Christmas carols in the modern world, Jingle Bells is played at almost every Christmas piano recital anywhere. With the verse in Middle C Position and the chorus in C Major Position, this classic take on Jingle Bells is ideal for beginners learning to navigate their way around the keys.
This arrangement of Marche Slave introduces Serbo-Russian and minor sounds to new pianists. The bold, patriotic main theme is featured prominently with compelling dynamics and a climactic finish.
Worried that others wouldn’t take him seriously, Saint-Saëns requested this entire humorous suite be published only after his death. This arrangement of the suite’s finale gives early beginner pianists a taste of how dramatic, crazy, and fun classical music really can be.
There’s no good morning greeting quite like “Morning Mood” from Grieg’s Peer Gynt Suite I. This arrangement includes an uncluttered melody with soft thirds and chords in the accompaniment to ease listeners into wakefulness, just like the morning rays.
Very few people haven’t heard this classical Beethoven theme (incredibly, composed after he had lost his hearing). This arrangement combines the marvelously simple stepwise melody with dynamics, a black key crossover, and triumphant harmonic thirds to allow beginner pianists to experience the grandeur of this masterful composer’s music.
Pianists of any age can fall in love with this beautiful American folk song. This arrangement for beginner piano flows just like the wide Missouri and is written with ties to help beginner pianists identify their mid-beat entrances. Because the right hand melody travels, the left hand accompaniment remains in a familiar 5-finger hand position for stability.
With flickering eyes like witch hats and a fearsome pointy-toothed grin, Jack-O-Lantern chants his scary song from the front porch steps as All Hallow’s Eve begins. This composition combines bass Left Hand minor melody, black keys, spooky seconds, minor triads, and staccatos to capture the delightfully frightful spirit of the holiday.
This traditional Japanese folk song highlights the fragrant pink cherry blossoms that cover the landscape of Japan in spring. This beginner arrangement emphasizes the unique melody with simple accompaniment. Hand movement, dynamics, and other music symbols give it an element of complexity to make it look and sound impressive for recitals and performances.
Whether they’re raiding your candy bag or tying your shoelaces together, these mischievous little hobgoblins put the “trick” in “trick-or-treat”! You might feel a little hobgoblin coming out in you when you play this delightfully spooky composition.
A studio favorite, this original composition hails from the untamed hills of Scotland where Medieval Scots traveled and fought for their clans. The minor melody bred from Scottish beauty and strength quickly draws the listener in with impressions of adventuring and battling across the lonely landscapes through centuries past.
Even beginners can entertain! This melody-only arrangement of Joplin’s most well-known rag keeps the performer feeling fun and loose and is just the thing for a first recital piece.
This traditional English carol tells the story of that first Christmas night long ago. This arrangement performs well as a lovely piano solo for a late beginner pianist and helps with pedaling, different rhythms in the left/right hands, and right hand scale fingering.
This arrangement comes in two different versions: one in D Major and one transposed to C Major. The Single-User License is available in either key. The Studio License comes with both versions.
The hypnotic powers of this archetypal vampire will capture the minds of your listeners as you play his portentous waltz. This composition featuring bass Left Hand melody is for any Halloween-loving pianist who wants something fun and easy to learn.
Who’s the slickest banana peel on the dance floor?! This foot-tappin’, swingin’, original showstopper is ideal for recitals and fun-loving crowds.
A spinoff of the classic 12-bar blues, “Tombstone Boos” helps newer pianists swing their way into the Halloween season. A spine-tingling jazzy chord closes out this late beginner number filled with syncopation, swing rhythm, hand movement, and more.
* The Studio License comes with two versions: one with the C minor key signature and one with no key signature (all accidentals). The Single-User License comes with one version that has no key signature (all accidentals). Both versions sound the same when played.
Few religious pieces touch the Christian heart as deeply as Amazing Grace. This simple, hymn-like arrangement illustrates the peace of feeling God’s grace amid the dangers, toils, and snares of life.
The march-like melody reigns supreme in this beginner arrangement that’s great for a first recital. Even young beginners who can just barely reach an F Major chord triad can perform this rendition of Beethoven’s bombastic Turkish March.
“Hush-a-bye, don’t you cry…” This beautiful American lullaby softly lulls listeners to a sleep filled with dreams of pretty little horses. This short arrangement performs well for first recitals and is a great way to introduce first-year piano students to melodies in a minor key.
A classic take on a popular short carol, this arrangement starts with single-note melody and adds accompaniment little by little, building to a fuller sound. It all comes together with a final dramatic molto ritardando, fermata, and octave jumps to finish with a flair.
“Double, double, toil and trouble…” Witches of all ages will love brewing up a magic potion that will surely bring all listeners under their power! This spellbinding composition is written with a mysterious melody floating high above the treble clef while the left hand waltzes below in minor.