This original piano solo cleverly combines a simple staccato walking bass line with a running melody to set the tone for a spooky Halloween encounter. The melody is filled with turns and scale passages offset by simple harmonies and chords. Easy octave changes make it accessible for elementary level pianists, and scale passages worked into the melody teach harmonic minor (while sneaking technique into repertoire!). The finale with a glissando down the keys is always a hit. This is a great piano solo for late elementary to early intermediate students any time of year, and especially during Halloween.
Go out for a night-time strut, and feel like you own the world! This easy jazz piano piece was written for late beginner to early intermediate level. With syncopation, staccato, a walking bass line, and blues scales, it’s a lot of fun to play (especially during Halloween season) and makes a great choice for a jazz piano recital piece!
After a hard day’s work collecting dying souls, the Grim Reaper goes dancing to liven things up! This fast and fun groove has a repeating bass line featuring G minor blues and fast, swinging treble rhythms and chords. Groovin’ with the Grim Reaper is a lot of fun for early intermediate students (especially during Halloween season) and makes a great choice for a jazz piano recital piece!
Skeleton Dance is SO much fun to play! Heavy swing, syncopated rhythms, LH stride, grace notes, big chords — this is a definite favorite for a Halloween advanced piano solo. Use it as a showpiece for your Halloween piano recital, or enjoy playing it all through the Halloween season to bring out that delightfully spooky mood!
G-Rockin’ Blues kicks the 12-bar blues up a notch with a driving rock beat! Beginners love the energy of this original piece, which teaches pattern and interval recognition in a fun musical way.
The 12-bar blues chord progression is used in countless many well-loved songs in rock, jazz, and popular culture. Basic Blues is based on this progression and provides the perfect learning format for the discovery of blues for new pianists. A steady walking bass line sets the foundation while chord symbols tell Right Hand what notes they can use to improvise fun swing rhythms. (Simple rhythms are notated in the music for those not inclined to improvise).
Just sit back, relax, and play — This lazy, leisurely paced piece is written in slow jazz style with dominant ninth, major sixth, and minor sixth chords. It’s perfect for beginner players interested in learning this style. It also demonstrates how a melodic line can completely change feel simply by adding a flat sign to one note.
Any late beginner or early intermediate pianist itching to play ragtime will love the Cheerio Rag! This original piece combines easy LH stride accompaniment and rhythmic RH melody sprinkled with accidentals and subdivision offbeats to capture that quintessential playful ragtime sound.
This fun, fast, foot-stomping boogie is perfect for a pianist looking to liven up the party. Written in F melodic minor, Banshee Boogie tells the story of an individual who comes across a banshee late a night when suddenly, she starts to dance…and before you know it, you’re joining in! Syncopated rhythms, upbeat stomps, tricky key signature, and tone clusters are sure to make this piece a fun challenge for early intermediate students during Halloween season. Great choice for a lively fall recital piece!
Every Halloween, all the monsters, skeletons, hags, and more come together for the Spooky Shuffle. This addictively swinging original (a Halloween favorite!) will have your fingers dancing and feet tapping right along with them.
A spinoff of the classic 12-bar blues, “Tombstone Boos” helps newer pianists swing their way into the Halloween season. A spine-tingling jazzy chord closes out this late beginner number filled with syncopation, swing rhythm, hand movement, and more.
* The Studio License comes with two versions: one with the C minor key signature and one with no key signature (all accidentals). The Single-User License comes with one version that has no key signature (all accidentals). Both versions sound the same when played.