This early advanced arrangement of It Came Upon The Midnight Clear is filled with rich RH chords and grand LH arpeggios. The treble lead-in with scale passages and parallel thirds feels like a winter’s night after a fresh snowfall. Full, complex chord harmonies and intricate arpeggios make this arrangement a rewarding challenge both to play and hear. This makes a beautiful Christmas religious service or Holiday performance selection.
Here We Come A-Wassailing (sometimes called Here We Come A-Caroling) is arranged here as a delightful late intermediate to early advanced piano solo. The arpeggiated LH accompaniment feels like riding a sleigh over snowbanks. This arrangement features 6/8 meter throughout with steady moving LH, and the chorus is written in tuplets. The use of polyrhythms provides an added challenge while retaining the traditional feel of the carol.
One of the most quintessential Christmas carols of all, this arrangement of Silent Night is warm, expressive, and filled with complexity. Grand, flowing arpeggios accompany full chords and harmonies. Unique chord choices, surprising modulations, and two key changes make this a memorable arrangement and an unforgettable performance that everyone will love. This is an excellent choice for a holiday church service or Christmas performance.
This joyful Christmas carol is arranged here as a late intermediate to early advanced piano solo. It begins with a recurring theme of treble chords tinkling like ringing bells while the melismatic “Gloria” passage sings beneath. The traditional energetic verse and refrain are repeated several times and carried through melodic variations, unique chord progressions, and modulations before coming to a jubilant conclusion. This arrangement is perfect as a showy, yet time-sensitive Christmas performance piece. (Performance length: less than 3 minutes.)
